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It is all desperately sad, and yet somehow the film wants Taylor's brightÃÂ sense of life's possibilities to survive even losing Myra. At the start of another world war, he is left behind to walk Waterloo Bridge again, to shedÃÂ a nostalgic tear and summon up aÃÂ resolute half-smile of remembrance. For ultimately, the film is happy to consign fallen Myra to suicide. It enjoys her defeat by letting us wallow in it; her extinction is sentimental, accompanied by the sweetness of a tear.
